September 1960 issue of the Shuttle Craft Guild Handweavers Bulletin, marking Harriet Tidball's return as owner and editor from Mary Black and Joyce Chown in Nova Scotia. It explains true five-harness satin and four-harness false satin (broken 3/1 twill), with threading and tie-up notes. It also covers Lily Mills' Super-Sheen 50/3 mercerized cotton, an essay on tension as a textile engineering problem (warp and weft tension, balance, selvages), and an announcement of the Japanese sample book Nippon Hand Weaves in Kusakizome Dyes.