Considerations Relative to the Nature of Wool, Silk, and Cotton, as Objects of the Art of Dying, Part 3

Sample pages
Page 1Page 2Page 7Page 12
Considerations Relative to the Nature of Wool, Silk, and Cotton, as Objects of the Art of Dying, Part 3, page 1
Page 1, at reduced quality. Open the document to read every page in full.

Third installment of Thomas Henry's essay on wool, silk and cotton as materials for dyeing. It discusses mordant bases: alum, tin, copper, lead and iron salts, and how each is used for wool, silk and cotton, including the calico printer's aluminous liquor made from alum and sugar of lead. It then begins a detailed, step-by-step account of the Adrianople (Turkey) red process on cotton, covering barilla leys, oil and sheep's dung liquors, and galling, and breaks off after the ninth operation with the note that it will be concluded in the next issue.

Type
Article
Date
1795
Language
English
Pages
16
(A free account is all you need)
Search Inside This Document
Find any word on any of its 16 pages. Part of a word works too.

From Ralph Griswold's Digital Archive, delivered by the University of Arizona.
Have missing pages or a better copy of this document, or another document to share? Contributing documents »

© 2004 - 2026 Kris Bruland, Handweaving.net

Privacy Policy