Notes on the Doctrine of Transubstantiation as Illustrated in XVI Century Art
Sample pages
Page 2, at reduced quality. Open the document to read every page in full.
A 1928 Bulletin of the Needle and Bobbin Club article on how sixteenth-century European art illustrated the doctrine of Transubstantiation. It discusses the Ronceray Abbey tapestry set (Louvre and Boston), the Chalon-sur-Saône tapestry, French mystic-press stained glass, German images such as the Mill of the Host and the Weiterswiller altar, and a stump-work chasuble orphrey at Karlsruhe. Plates show Ronceray tapestry pieces, a drawing of the Karlsruhe embroidery, and a Spanish carpet.
- Type
- Article
- Date
- 1928
- Language
- English
- Pages
- 10
- Archive notes
- Scanned images provided by Tess Parrish
(A free account is all you need)
From Ralph Griswold's Digital Archive, delivered by the University of Arizona.
Have missing pages or a better copy of this document, or another document to share? Contributing documents »