Mary M. Atwater argues that American handweavers should stop relying on written treadling directions and instead weave four-harness overshot patterns "as drawn in," following the order of the threading blocks. She explains how to find the tabby sheds, identify pattern blocks, and use the diagonal line as a guide. She also covers developing a draft on cross-section paper, weaving "on opposites" with two wefts, the "rose-fashion" variation (Lovers' Knot becoming Whig Rose), and small accidental blocks in patterns like Monk's Belt. Three diagrams illustrate the methods.