A very short encyclopedia entry defining huckaback as a coarse linen or cotton cloth, figured somewhat like damask and usually used for toweling. It gives a proposed etymology from Low German and notes that it is a kind of crash.

A two-page article from the Master Weaver series "Odd Weaves" on irregular huckaback lace, meaning huck with no fixed unit size in threading and treadling. It gives four-shaft drafts that mix 6x6, 10x10, 14x14 and 18x18 units, half-units and unsymmetrical huck, with treadling rules that keep a true tabby selvedge. It covers uses for texture weaving, huck lace on overshot drafts written on opposites, and two-block huck patterns on a tabby ground. It ends with a place mat project in 8/2 cotton and rayon, with threading, sett and treadling.

An installment of the "Odd Weaves" series from Master Weaver No. 45 (May 1959) on unsymmetrical huckaback lace. It explains how a classical 10 x 10 or 14 x 14 huck lace can be reduced to an 8 x 8 or 12 x 12 by removing two heddles from the center of each threading repeat and two picks from the treadling. It also discusses texture weaves and borderline drafts and the 4 x 4 case. The article ends with a practical project for cotton place mats in 12 x 12 huck lace, giving warp, sett, threading and treadling. Drafts are shown in all three pages.

An article from Master Weaver No. 55 on weaving tabby, huckaback and huck-lace together in a single project. It first covers four-shaft huck and lace, then multishaft huck and lace. It switches from the American to the Scandinavian way of drafting huckaback, and gives practical drafts for large and small blocks. It explains how to develop a short draw-down into a full threading, treadling and tie-up, and how to build tie-ups for small symmetrical patterns. The last page starts a short piece, 'Quizz in Overshot', on symmetrical variations of a four-block overshot pattern.

A short encyclopedia entry defining huckaback as a cloth type used for towels, valued for absorbency. It explains the plain-weave foundation with warp floats on the face and weft floats on the back. It distinguishes ordinary huck (weave A) from the Devon or medical huck (weave B, usually woven with double weft), and notes that the cloth was originally all linen but is often adulterated with inferior fibres. Two small structure diagrams are included.

Issue No. 55 (January-February 1961) of Master Weaver, a bi-monthly bulletin for handweavers issued by Z-Handicrafts, Fulford, Quebec. It opens with an article on how to teach handweaving, including a 20-lesson theory and 80-hour practice schedule from yarns and tabby through twills, overshot, crackle and summer-and-winter. The main technical article, "Huck & Lace Combined," explains drafting huckaback and huck-lace in the Scandinavian style, first on four shafts and then on multiple shafts, with tie-up methods and treadling sequences. A short "Quizz in Overshot" asks how many symmetrical four-block overshot variations exist and gives drafts for two extra ones.

A short article from Master Weaver (No. 60, November 1961) on how to treat multishaft lace as either twill lace or huckaback (huck lace) when using more than four shafts. It explains threading and tie-up arrangements for three-block patterns, including treadle groups for block combinations and treadling sequences that allow alternating feet. Two practical projects with warp, sett and treadling details are included: linen towels and rayon place mats on eight shafts.

An issue of Practical Weaving Suggestions (Lily Mills) in which Ella S. Bolster presents a Huck-derived variation that looks like honeycomb, with heavy deflected novelty threads in both warp and weft, for casement cloth and curtains. It gives materials, setts, threading drafts, tie-ups for a rising shed loom and treadling for samples I-A, I-B and II, plus Casement Cloth III with random stripe patterns and matching blinds woven with matchstick bamboo. The last page lists Lily unmercerized cotton and novelty yarn colors.

Workshop handout by Mary Elizabeth Laughlin for multiple harness weaving on looms with more than four shafts. It gives threading, tie-up, treadling and pattern-design rules for huck lace, summer and winter, crackle and corkscrew twill. It also includes an excerpt on block design from her book More Than Four. Most pages are blank or partly filled multiple harness draft forms for twill, mix-and-match, corkscrew, huck lace, summer and winter and crackle samples, plus an eight-harness crackle block chart and a corkscrew threading table.

An article from Master Weaver (June 1952) explaining how to weave lace effects with huckaback, using 6x6 and 10x10 huck threadings on a counterbalanced loom. It covers threading and treadling drafts, tie-ups, edge treatments, slaying (reed denting) sequences, multi-block patterns on eight frames, simplified tie-ups, colour choice and beating. A short note on weaving terminology follows, clarifying the names Halkrus, honeycomb and waffle, with a quoted comment from Marguerite Davison.

Issue No. 60 (November-December 1961) of Master Weaver, a bi-monthly bulletin for handweavers published by Z-Handicrafts in Fulford, Quebec. It opens with an editorial essay on the flying shuttle, which rejects it as a speed device but accepts it for very wide fabrics. It then presents a new two-colour method of weaving free patterns in locked wefts, with a cocktail napkin project, and a discussion of multishaft twill lace versus huck lace on 8 to 12 shafts, with linen towel and rayon place mat projects. The last article covers unsymmetric diamond twill with and without a binder, with sample fancy treadlings, drafts and a wool yardage project. The issue ends with an advertisement for Zielinski's Encyclopaedia of Handweaving.

April 1955 issue of Modern Weaver, a bulletin for handweavers published by Nilus Leclerc Inc. of L'Isletville, Quebec. It presents the Leclerc "Nilus" four-harness jack-type loom and a horizontal warping mill, then offers technical articles: one on weaving huckaback lace on a counterbalanced loom, a third installment of "Drafting" on finding treadling and squaring patterns ("woven as drawn in"), and the start of "Efficiency in Handweaving" covering planning, yarn selection, warping and threading. The issue also has a tabby weaving draft with warp and weft specifications, a table of Canadian and US yarn sources by fiber type, glossary entries (Bolting Cloth to Burling) with brake diagrams and twill and brocading diagrams, and advertisements for weaving lessons, yarns and looms.

A leaflet in the Lily Mills Practical Weaving Suggestions series by Nell Steedsman, describing a four-frame huck variation inspired by a six-frame spot weave in fine linen. It explains the structure, including double or triple ends on pattern frames and a 50/50 balance, then gives drafts for an afghan, two cushion tops, glass curtains, dress fabric, and a patio runner and mats. Each project lists Lily yarns, reed, threading and treadling, with rising shed and counter-balanced drafts and photographs of samples.

February 1959 issue of Warp and Weft, a monthly handweaving bulletin from Robin & Russ Handweavers of Santa Barbara, California. The main feature is a huckaback lace project with tie-up, threading and profile drafts, a treadling for the sample swatch, warp and weft yarns, reed sleying, uses (drapery, table linens, place mats) and a cost breakdown per yard. Other items are an editor's column, a note on a Finnweave cover piece, an article on the Mt. Lassen Weavers Guild of northern California, classified ads, and supplier and loom advertisements.

May 1959 issue of Warp and Weft, a monthly handweaving newsletter published by Robin & Russ Handweavers in Santa Barbara, California. It includes editor's news, conference and exhibition announcements, a profile of the new Nor'craft Weavers' Guild in Michigan, and a cover feature on nylon and cotton drapery. The main project, "Cream and Sugar," is a silk and Egyptian cotton huck-variation drapery fabric with a 4-shaft threading draft, tie-up for a jack loom, sleying, treadling, material costs and finishing notes. The issue also carries a discounted book sale list, classified ads for weaving equipment and supplies, and loom and yarn advertisements.

November 1961 issue of Warp and Weft, a monthly bulletin from Robin & Russ Handweavers of Santa Barbara, California. It presents "Curlicues," a semi-sheer drapery fabric in a huck variation on 4 harnesses, with threading, special reed sleying with skipped dents, tie-ups for jack and counterbalanced looms, treadlings, alternate treadlings, weaving problems and thread costs. It also includes an editor's column, a review of Elmer Hickman's folio "Contemporary Linens," and classified ads for yarns, looms and books.

November 1966 issue of Warp and Weft, a monthly from Robin & Russ Handweavers in McMinnville, Oregon. It gives full directions for a huck-variation fabric called Stained Glass Windows (tie-up, threading, special reed sleying, treadling, thread costs) and a second project, a soft black wool and chenille stole with a lace stripe by Mrs. Ruby McDonald. It also has an editor's column, reviews of Notes on Weaving Techniques by Florence E. House and Rug Weaving for Everyone, a cover note on an Oregon State Fair wall hanging, and pages of yarn and book advertisements.

March 1967 issue of Warp and Weft, a monthly handweaving bulletin from Robin & Russ Handweavers of McMinnville, Oregon. It contains the editor's column on his planned weaving tour of the British Isles and Scandinavia, a list of upcoming weaving conferences, a cover photograph commentary on a divided-warp wall hanging, and a review of the book Tatting by Elgiva Nicholls. The main project is "Glazed Pink," a four-harness huck variation for a crib blanket, with threading, special reed sleying, tie-up, treadling, yarn costs and weaving advice. The issue ends with classified ads for yarns, looms and equipment, and a marketplace page.

January 1971 issue of Warp & Weft, a monthly handweaving newsletter from Robin & Russ Handweavers in McMinnville, Oregon. It includes the editor's column on customs problems with imported silk and wool, and the first of a series of spinner Paula Simmons's articles on raising black sheep. The weaving feature is "The Birch Forest", a huck variation sample in linen and ramie on 4 shafts and 6 treadles, with tie-up, threading, special reed sleying, a 28-shot treadling, and thread and fabric costs. The issue ends with classified ads for supplies and books and a marketplace page.

March 1971 issue of Warp & Weft, a monthly newsletter from Robin & Russ Handweavers in McMinnville, Oregon. It includes the editor's column, a cover note on a looped boutone rug of handspun yarn by Paula Simmons, and the third part of Simmons' series on spinning heavy yarns (wheel, belt, orifice, drafting, joining fibres). The weaving feature is "Orange Ice," a four-shaft huck variation in 16/2 ramie and 5/2 spun viscose, with threading, tie-up, a 16-shot treadling, reed and sett, and a cost breakdown. The issue also carries a Pacific Northwest Weaving Conference notice, book listings, classified ads for yarns and equipment, and display ads.

April 1972 issue of the monthly Warp and Weft, edited by Russell Groff of Robin & Russ Handweavers in McMinnville, Oregon. The main project is thirsty linen towels woven in a combined one-spot huck and rosepath threading on 4 shafts, with threading, tie-up, treadling, sett, yarn sizes, costs and towel dimensions. A second project gives plans for a woven belt in 18/2 worsted with ryagarn weft, in three treadling variations. The issue also has the editor's column, a cover note on sheer inlay wall hangings by Nyna Grill, classified ads for yarns and books, and a marketplace page.

December 1974 issue of Warp & Weft, a monthly published by Robin & Russ Handweavers of McMinnville, Oregon. Editor Russell Groff reports on shop weaving projects, a huck lace-effect fabric on eight harnesses, and yarn shipments from England, and reviews Ruth Castino's book on teaching children spinning, dyeing and weaving. The main feature, "Unexpected Delight," gives a huck-variation draft for 4 shafts with tie-up, two threading drafts, sleying and a 22-shot treadling sequence. It uses fuzzy 10/1 dry-spun linen grouped three ends per heddle with 10/2 bleached Irish linen, plus fabric costing and tips on handling fuzz. The issue also has a cover photo note on midwest conference pieces, classified yarn ads and marketplace ads.

May 1975 issue of Warp & Weft, the monthly from Robin & Russ Handweaves of McMinnville, Oregon. It includes the editor's account of the Sacramento conference, a note on the cover photograph, and a review of Theo Moorman's book Weaving as an Art Form, which describes her inlay technique. The main feature is the 'California Summer' fabric, a three-treadle huck variation woven in 16/2 ramie with Bernat Klein slub wool, with threading and tie-up drafts, sley, treadling, weaving tips, yarn details and a cost breakdown. The issue closes with classified ads and display ads for yarns, books, looms and tools.

December 1979 issue of Warp and Weft, the monthly bulletin of Robin & Russ Handweavers in McMinnville, Oregon, edited by Russell E. Groff. It includes the editor's shop news, a cover photo of a patchwork skirt woven in overshot and plain-weave squares, and a review of Groff's book 200 Patterns for Multiple Harness Looms. The projects are a four-shaft 'Buster Brown Bow-Knots' fabric in silk/polyester with full threading, tie-up, treadling and cost breakdown, and a huck-variation linen place mat. It also announces a 1980 handweaving tour to Thailand and Japan and carries classified yarn and book advertisements.

November 1981 issue of Warp & Weft, the monthly bulletin of Robin & Russ Handweavers in McMinnville, Oregon. Editor Russell Groff describes a buying trip to England and Scotland, reviews Marilyn Meltzer's book Weave It, 28 projects for your home, and discusses the cover tapestry. Two four-shaft projects with threading and tie-up drafts follow: Sunburst, a huck variation in cotton floss and rayon flake with special reed sleying and cost figures, and a goose-eye upholstery fabric in linen and perle 3 cotton. The issue ends with yarn and book advertisements.

An eight-page Lily Mills leaflet of project instructions for weaving with the new Super-Sheen 50/3 mercerized cotton (Art. 215). Designs by Col. John S. Fishback and Mrs. Tina McMorran include a huck lace tray cloth with a short-form draft, place mats with pick-up lace (Brooks Bouquet) and laid-in cords, formal, lapkin and pink mats, a leno lace blouse, and two aprons. Each gives yarn materials, sett (typically 36 ends per inch, double sleyed in an 18 reed) and a weaving plan. The last page carries a Lily Mills advertisement for the yarn.

December 1957 issue of Warp & Weft, a monthly handweaving newsletter from Robin & Russ Handweavers in Santa Barbara, California. It includes the editor's column, a book review of Simpson and Weir's The Weaver's Craft, and a feature on Tibetan rug weaving by Mrs. Edith B. King. The sample fabric, Periwinkle Blue, is a four-shaft huck-type yardage in 20/2 Egyptian cotton and slub douppioni silk, with tie-up, threading, treadling, yarn details and cost per yard. The issue also lists 1958 California weaving conferences, classified ads including the Ramona folding loom, and holiday advertisements from suppliers.

November 1957 issue of Warp and Weft, a monthly handweaving bulletin from Robin & Russ Handweavers of Santa Barbara. It features the "Flowers of Spring" huck weave sample, with a four-harness threading, tie-up, treadling, sleying, yarn and cost details, plus notes on weaving it on counter-balanced and jack looms. Other items include an explanation of how to read the bulletin's tie-ups for 4- and 6-treadle looms and for jack versus counter-balanced looms, a profile of Milwaukee weaving teacher Helen Newhard, a review of Violetta Thurstan's The Use of Vegetable Dyes, an editor's column, classified ads and loom/yarn advertisements.

May 1961 issue of Warp and Weft, a monthly published by Robin & Russ Handweavers of Santa Barbara, California. It includes the editor's column, a review of Mary E. Snyder's Lace and Lacey Weaves, a note on the cover photo of overshot and honeycomb handbags, and the first installment of a history of spinning from the spindle and distaff to the Saxony wheel. The monthly sample is Grey Rose, a double huck fabric on four shafts with a brown cotton warp and a rayon and chenille weft, with a threading, tie-up, treadling, and cost breakdown. The issue ends with classified ads for yarns and supplies and display ads.

April 1962 issue of Warp and Weft, a monthly handweaving newsletter from Robin & Russ Handweavers in Santa Barbara. It reports on the Southern California Handweavers conference (theme "Sand and Sea"), reviews Ling Roth's Studies in Primitive Looms, and gives a full project, "Two Textures", a 4-harness huck weave combining 20/2 Belgian linen and 16/5 cord linen, with threading, tie-up, sleying, treadling, a place-mat plan and cost figures. The issue also carries classified ads for looms, yarns and supplies, an announced move to McMinnville, Oregon, and display advertisements.

December 1968 issue of Warp & Weft, a monthly bulletin from Robin & Russ Handweavers of McMinnville, Oregon. It includes the editor's column, a note on the cover photograph of a power-loom warp beam being wound with worsted yarns, and a placemat project in 10/2 ramie woven as straight twill. The monthly sample is "Natural and White, a Muted Checkerboard," a huck variation in 20/3 ramie and glossy rayon, with a four-shaft threading, six-treadle tie-up for counterbalanced and jack looms, a 40-shot treadling sequence, and thread and fabric cost figures. The issue closes with classified ads and supplier advertisements for yarns, looms, and books.

November 1969 issue of Warp & Weft, a monthly handweaving newsletter from Robin & Russ Handweavers in McMinnville, Oregon. It includes the editor's column, a note on the cover photograph (a sheer linen drapery woven by Sanger & Company, Switzerland), and an account of a visit to the Swiss Home Handcraft School run by the Heimatwerk shops. The monthly sample is an all-wool worsted sport or hunting shirt fabric in a 5/3 huck variation, with threading, tie-up, treadling, special sleying of a 15-dent reed, yarn details and a cost breakdown. The issue closes with classified ads for yarns, books and equipment, and a handweaving tour announcement for Switzerland and Ireland.

December 1970 issue of the monthly Warp & Weft from Robin & Russ Handweavers in McMinnville, Oregon. It includes the editor's column, a review of the book Macrame, Creative Knotting by Imelda Manalo Pesch, and a notice for the 5th Pacific Northwest Weaving Conference in Portland. It also has an account of a visit to the Husfliden handcraft shop in Oslo, and the monthly sample project, a four-harness huck baby blanket called Feather Touch, woven in 2/18's worsted and brushed mohair. The project gives the tie-up, threading, treadling, sett, yarn quantities, costs and finishing advice. The issue closes with classified ads for yarns, macrame supplies and books, and a marketplace page.

September 1974 issue of Warp & Weft, a monthly bulletin from Robin & Russ Handweavers of McMinnville, Oregon. The main feature is a four-harness huck variation woven in textured silks, with threading and tie-up drafts for counterbalance and jack looms, a detailed reed sleying, a 30-shot treadling sequence, weaving problems and fixes, and yarn sources and prices. The issue also has an editor's note on publication delays, reviews of Ida Grae's Nature's Colors and Mary Pendleton's Navajo and Hopi Weaving Techniques, a cover photo caption about a Navajo weaving demonstration at Convergence 74, and pages of classified and display advertising for yarns, books and looms.

November 1979 issue of Warp & Weft, the monthly newsletter of Robin & Russ Handweavers, McMinnville, Oregon. It contains the editor's account of yarn-buying trips to England, Japan, Thailand and elsewhere, a review of Sara Farrar's booklet Basic Double Weave Theory, and two projects with drafts: a 4-shaft huck-variation fabric woven with Yak hair, with cost breakdown, and an Italian Diamond place mat. It ends with classified ads for yarns and books and a marketplace page.

Workshop handout by Mary Elizabeth Laughlin on weaving block and twill structures on more than four shafts (up to 10 or more). It gives threading, tie-up, treadling and pattern-design notes for huck lace, summer and winter, crackle (with an eight-harness block/treadling chart) and corkscrew twill, including a corkscrew twill vs. shadow weave comparison. The rest is mostly 10-shaft draft forms, some filled in as samples (huck lace, summer and winter with a boy figure, crackle, corkscrew and undulating twill, mix-and-match twill and satin, twill samplers) and some left blank. It ends with an excerpt on block design from her book "More Than Four" with rules for designing in blocks.

Issue No. 46 of Master Weaver, a bi-monthly bulletin for handweavers published by Z-Handicrafts in Fulford, Quebec. It contains the second part of a short history of handweaving technology, tracing looms from China, India, Egypt, Greece and Rome to the flying shuttle, Jacquard and the power loom. A Shortcuts column gives methods for beaming a warp without a helper and with reduced friction. Odd Weaves covers irregular huckaback lace, with drafts and a place-mat project. Turned Twills part 2 explains how to design matching tie-ups for 1:2 and 2:1 twills and the shaft and treadle limits for multi-block patterns. The issue ends with advertisements for a book service and a Warp Indicator.

A short teaching article from Master Weaver showing how a single 10 x 10 huckaback threading on four shafts can be used for ten different weaves by changing only the tie-up and treadling. It covers huckaback, turned huckaback, M's-and-O's, turned M's-and-O's, double waffle, huckaback lace, paper spot, overshot, bound overshot and corduroy, with draft figures and treadling sequences, plus notes on sett, borders, yarns and loom type. A short "Weaving Terminology" note on the old terms blotch, scobb and jisp ends the piece.

February 1955 issue of the Shuttle Craft Guild Handweaver's Bulletin (Portfolio Edition), edited by Harriet Tidball, built around a long warp of Bernat Afghan light-weight worsted. It explains extending Huck (and Spot Bronson) threading to five harnesses, with tie-up and treadling rules, then gives directions for a striped wool bedspread, an evening jacket, two dress yardages and an emergency stole woven from a warp with short bouts. Also included are a member's men's suiting in Afghan with a flax-seed warp dressing, instructions for the finger-chained "Idiot's Delight" braid, and the Threadbender letter with guild news and supplier announcements.

December 1960 issue of Warp and Weft, a monthly 4-harness handweaving bulletin published by Robin & Russ Handweavers of Santa Barbara, California. It presents the "Silram" place-mat project, a huck variation threaded with 16/2 Ramie and supported silver metallic in the warp, with tie-up, threading, treadling, materials, reed and mat-size suggestions. It also gives the omitted treadling for the Miniature Whig Rose sample from the November issue, a profile of Bessie C. Lowry's Dearborn Handweaving Studio in Michigan, a review of K. Grassett's Complete Guide to Hand-Spinning, an editor's column, classified ads for yarns and equipment, and a back page of advertisements.

May 1960 issue of Warp and Weft, a monthly published by Robin & Russ Handweavers of Santa Barbara, California. It includes the editor's column on silk drapery orders, a ramie talk and a conference visit, a review of Grace D. Blum's Functional Overshot, and a cover note on a tapestry. The main project is a huck place mat in 20/2 natural linen and 16/2 blue ramie, with threading, tie-up, treadling, warp plan, history of the term huck, and cost breakdown. The issue ends with a book sale list, classified ads for yarns, jute handbags, and looms.

March 1962 issue of Warp and Weft, a monthly handweaving newsletter published by Robin & Russ Handweavers of Santa Barbara. It includes the editor's note about the shop's move to McMinnville, Oregon, an obituary for weaver Frederick Brown, a conference announcement, and a review of Mary Snyder's book The Crackle Weave. The main project, "Pillow Talk," gives a four-shaft huck-based pillow fabric with warp, weft, reed, treadling, and tie-up for counter-balanced and jack-type looms, plus notes on the sample and material costs. The issue ends with sale notices, classified ads, and loom and yarn advertisements.

November 1951 issue of the monthly Warp & Weft, edited by Gladys Rogers Brophil. The featured sample is a huck-type pattern towel woven in absorbent "Thirsty" linen from Robin & Russ Handweavers of Santa Barbara, with a 4-shaft threading, tie-up and treadling, sley and beat notes, yarn quantities and costs. Other items cover the Santa Barbara Weavers Guild exhibit, tests for telling warp from filling, a background article on linen from flax to finished cloth with care tips, a Q&A on washing linen before sale, and a review of The Index of American Design.

Issue No. 4 (June 1952) of Master Weaver, a bi-monthly bulletin for handweavers published by Z-Handicrafts in Fulford, Quebec. It contains an essay on the meanings of 'texture' in weaving, with a worked example of designing a woven window blind. It also has an article on huckaback lace with drafts for 6x6 and 10x10 huck on counterbalanced looms, a note on the Honeycomb, Waffle and Halkrus terminology, and a description of the clasped-weft technique. A further article reviews short-draft notation for twill, overshot, spot weaves, summer and winter, crackle, lace, huckaback and turned twills. The issue ends with an advertisement for the Encyclopedia of Hand-Weaving and a notice of the information service.

June 1972 issue of Warp & Weft, the monthly newsletter of Robin & Russ Handweavers in McMinnville, Oregon. It features a full draft and weaving instructions for "Buttermilk Sky," a silk and tussah-rayon drapery or coat fabric combining one-spot huck and rosepath, including threading, tie-up, 36-shot treadling, sleying, and cost per yard. Editor Russell Groff also gives a critical report on the Convergence 1972 conference in Detroit, reviews Rene Gardi's "African Crafts and Craftsmen," and describes a tapestry bag by Lucy Delgado on the cover. The issue ends with classified ads for yarns and supplies and a marketplace page.

October 1954 issue of the handweaving newsletter Warp & Weft. It reports on the Midwest Designer Craftsmen fair at the Art Institute of Chicago and on weaver Madge Friedman's exhibit at the Chicago Public Library. The monthly project is a jute-and-cotton drapery fabric from Robin & Russ Handweavers, a huck derivative, with threading draft, treadling units, tie-up, sleying and spooling instructions and materials. Other items cover color trends in fashion and Far Eastern color names, short notes and Q&A (Dacron, matelasse, natural dyes, ironing linen), a review of Malin Selander's Swedish pattern book Vavmonster, a poem, and a marketplace page of advertisements.

Volume XI (1954) of Loom Music, a monthly handweaving bulletin edited by Mary Sandin (Edmonton) and Ethel Henderson (Winnipeg), bound as ten issues from January to December. Issues give project instructions with drafts, warp and weft specifications, tie-ups and treadlings. Topics include fine linen place mats with Danish medallion, leno and pillow lace edging, spaced-warp table mats, aprons, huck weave for linens, drapery and a baby shawl, and judges' comments on the London exhibition with prize-winning drapery and upholstery. Later issues cover a striped skirt and stole, silk and nylon fabrics, a crackle weave coverlet, Banff 1954 and Bronson lace, homespun knee rugs and yarn sources, imported-look wool fabrics, small Christmas gift items, washable bags and a year index.

Issue of a Canadian handweaving bulletin published by Nilus Leclerc Inc. It contains a technical article on choosing warp sett, with a formula and a chart of minimum sett for cotton, linen and wool. A second article shows weaves from one 10x10 huckaback threading: huckaback, turned huckaback, M's-and-O's, turned M's-and-O's, double waffle and huckaback lace. The issue also has Drafting lesson 5 on borders and selvedges, a worked threading example, a satinet (1:3 broken twill) draft sheet, Questions and Answers, an index of volume 1, and encyclopedia entries from Circular weave to Coppin. Advertisements for looms, yarn suppliers and the Nilus loom fill the rest.

May 1974 issue of Warp and Weft, the monthly newsletter of Robin & Russ Handweavers in McMinnville, Oregon. The main feature is "Irish Lace," a Huck-variation fabric woven in white and grey Irish linen, with a 4-shaft threading and tie-up, a special reed sleying, and a yarn and fabric cost breakdown. The issue also has the editor's report on Convergence 74 and upcoming workshops, a cover note on a lampshade with Greek lace and leno techniques, reviews of two books (Crowfoot and Roth on hand spinning and wool combing, and Cay Garrett's Warping All By Yourself), a midwest conference tapestry, yarn specials, and classified ads.

Archive of the WeaveTech email discussion list for February 1999, reproduced as raw messages with full mail headers. Topics include co-op galleries and selling work, shrinkage of rayon yarn, computer-driven dobby and J-Comp looms, fly shuttles and beaters, the Macomber sliding shuttle, huck lace, lace weave color effects, whiter silk, African strip weaving, dimity, and mommy measurement of fine yarns. It also includes list administration notices, a notice of a death in the dyeing community, the Vav conference, and rules for the Third Annual Non-Holiday Serviette (Napkin) Exchange. Only one page has a weaving draft, in text form.