A short 1919 note from the Studio-Talk column of International Studio, datelined Ghent, on Belgian lace-making after the First World War. It describes a lace trade institution at Zele, East Flanders, founded about three years earlier under the occupation, which trains selected young girls in artistic lace and pays them wages in proportion to their output. Illustrated with lace panels of Guido Reni's Ecce Homo, the Belfry at Bruges, and an armorial design.