A column from the Minnesota Weaver on creative possibilities for the two-harness rigid heddle frame loom. Mary Temple lists categories of techniques, including open work weaves, pile weaves, weft-faced rep, pick-up weaves, texture patterns, inlay, tapestry, non-loom techniques, added materials, warp effects, and finishes. She closes with double weave using two rigid heddles and announces her class on the subject at the Weavers Guild. A small advertisement for a St. Paul needle art shop appears on the page.

A column from the Minnesota Weaver by Mary Temple on frame loom weaving. It opens with a poem, "At the Loom," by Bruce Bart, written for his wife Harriet Bart's University of Minnesota fiber studies degree. Temple then comments on weaving books available through the Guild library and public libraries, mentioning new titles on rigid heddle and frame loom weaving. The column ends with a bibliography of about 40 titles on frame loom weaving, tapestry, rugs, two-harness weaving and fiber art.

A one-page column by Mary Temple in the 'Frame Loominations' series that considers what the word 'texture' means in weaving. She quotes Webster's definition and then lists words and phrases offered by weavers in her texturing workshops, such as tactile, nubby, lumpy, and 'regular irregularity', and invites readers to add their own. The page also carries the Minnesota Weaver staff list.

Mary Temple's column from the Minnesota Weaver argues for the rigid heddle frame loom as an affordable, portable teaching loom. She names the brands the Weavers' Guild of Minnesota frame loom teachers suggest (Beka, Kircher, Kay-an-Ee) and criticizes poorly made looms sold as gifts for children. She then gives a personal review of the new Erica Loom from the Northfield Loom Company, in 20-inch and 25-inch widths. The page also carries a separate Shows & Exhibits column by Suzy Sewell.