A one-page fashion article from the Ladies' Home Journal by Isabel A. Mallon, with illustrations by Ethel Rose. It describes twelve numbered styles of women's autumn bodices, noting the cloths, velvets and silks used, along with trims such as mousseline de soie, jet beads, guipure, embroidery and ribbon straps. It is useful for the look of late-1890s American women's dress.

A page from the Ladies' Home Journal (1898) presenting a set of embroidered table linens with geranium designs for Christmas. It describes designs for table-cloth corners, a service or carving cloth, a round centrepiece, plate, carafe, goblet and butter-plate doilies, and an oval tray cloth, with sizes, color schemes (pinks, greens, light browns), filo silk and Roman floss, and buttonhole edging. An editor's note offers perforated patterns by mail from the Art Bureau.

A 1898 Ladies' Home Journal page by Mrs. L. Barton Wilson presenting swallow-themed embroidery designs for a set of dining-room linen: a running border for a tablecloth, a round centrepiece, a plate doily, and a sideboard scarf design. The text gives advice on long-and-short stitch and outline stitch, simplicity of design, and a color scheme of grays, white, black and pink floss. It notes that full-size perforated patterns could be ordered from the journal's Art Bureau.

A 1898 Ladies' Home Journal page presenting a set of embroidered table linens designed in Delft blue and white to match blue-and-white breakfast china. It describes designs for a running border, corner, goblet doily, carafe doily, breakfast-plate and butter-plate doilies, a square centrepiece, a serving-tray cloth and a coffee-service cloth, with sizes, silks (Asiatic Roman floss, Caspian floss, filo silk) and stitches (buttonhole outlines, satin stitch, cross-stitch). Perforated patterns were offered by mail from the magazine's Art Bureau.

A 1898 Ladies' Home Journal article by Sara Hadley describing Venetian point needle lace, a style then new to America. It explains how the lace differs from Royal Battenberg (worked on the right side, no braids), how the raised corded outlines and buttonhole-bar background are made, and what threads and needles are needed. It illustrates centrepieces, finger-bowl doilies and a square table-cover alternating lace squares (triton and griffin designs) with hand-spun linen, and suggests uses such as church lace.

A one-page fashion article from Ladies' Home Journal, 1898, describing the spring millinery styles for Easter. Twelve numbered illustrations of hats, bonnets and capotes accompany text on materials (Leghorn, Manilla, chip, raffia, woven bulrushes, horsehair), fashionable colors, ribbons, feathers and artificial flowers used as trimming. There is no weaving content apart from brief mentions of braided straw and woven horsehair.

A single-page fashion feature from the Ladies' Home Journal showing fifteen photographed millinery designs for the coming fall and winter, all trimmed without feathers. Each hat has a short caption describing its shape, materials and trimming, including Gainsborough picture hats, toques, sailors and an Empire shape. Trimmings include velvet, felt braid, ribbon rosettes, mousseline de soie, lace and artificial flowers.

A single-page 1898 Ladies' Home Journal article by Phoebe Gray giving written instructions for knitted and crocheted children's items. Patterns cover a baby's silk mitten, a girl's crochet skirt, a baby's cap, an infant's shirt, a child's school hood, an infant's sacque with yoke, and a baby's blanket. Yarns named include knitting silk, Germantown yarn, Saxony wool and zephyr wool. Illustrated with photos of the finished pieces.

A one-page 1898 Ladies' Home Journal article, the first of two millinery lessons by Zaida Ben-Yusuf, on trimming hats with ribbon. It gives yardage and ribbon widths for four sample hats and a bonnet, and explains how to make a ribbon rosette and bow loops, a wired net band, and a silk Marceline lining. Photographs of the finished hats and line diagrams of the rosette and loops illustrate the instructions.

A 1898 Ladies' Home Journal article, the second millinery lesson by Zaida Ben-Yusuf, on making a hat from straw braid. It explains sewing braid in rounds from the brim inward to the crown, fitting and darning in the cross-wire supports, and mounting feathers on wire stems. Four finished hats are described with their materials (violet taffeta, toque with tulle and net, a feathered hat, a yellow straw hat with roses), and the article is illustrated with photographs and three wire-frame diagrams.

First of a six-part needlework series by Sara Hadley in the Ladies' Home Journal, May 1902, on Marie Antoinette lace work. It explains how braids, cords, rings and stitches are assembled on a pattern and appliqued to a net foundation, using a floral basket vestibule-door curtain (about 28 x 15 inches) as the example. Instructions cover Brussels stitch, Sorrento bars, basting braids to the pattern, applying the net, and pressing; photographs show the steps and the finished curtain.

A one-page instalment from Sara Hadley's six-part needlework series in the Ladies' Home Journal, giving instruction in needle point lace. It covers choosing linen braid, basting braid to the pattern, thread sizes, and four filling stitches: Point de Sorrento, Point d'Angleterre, Rose Point wheel and Point d'Alençon bars. It also describes the picot background, the Church stitch flower body, the loop edge, and raised braid outlines on a bertha. Photographs show the working pattern, a bud, a flower section, and the finished bertha.

A one-page illustrated feature from the Ladies' Home Journal, April 1902, showing new lace accessories designed and described by Sara Hadley. Short captions accompany photographs of a needle point collar, princesse lace scarf, point lace side pocket bag, fan bag, headdress, candelabra shade, protection collars, handkerchief, hair flower and linen-and-lace shirt waist collars. The captions give brief notes on colors, materials and intended use, such as Easter gifts. No patterns or instructions are included.

A single-page article from The Ladies' Home Journal giving instructions for making Honiton braid lace (tape lace) at home. It covers preparing the tracing-linen foundation, basting and drawing down the braid, joining linen centres to lace borders, and pressing the finished work. It also gives braid and thread numbers for a blouse collar and a nightdress set. Photographs show doilies, handkerchiefs, a collar, edgings and a nightdress set.

A 1898 Ladies' Home Journal fashion article by Isabel A. Mallon describing white summer gowns, illustrated with five models from the Journal's own patterns. It covers dotted Swiss, white lawn, crêpe de chine with guipure, white serge and tailor-made piqué costumes, with details of tucking, ruching, lace and velvet trimmings, hats and accessories. It is a costume piece with no weaving content.

A single-page 1898 Ladies' Home Journal feature with instructions for summer fancy-work. It covers centrepieces and a sideboard cover in 'underletting' (Brussels net combined with linen and embroidery silk), a crochet wheel centrepiece with chain-scallop directions, a Delft-pattern buttonhole-stitch lattice centrepiece, and an embroidered baby's crib pillow and sheet-sham with forget-me-not designs. Illustrated with photographs of the finished pieces.

A single-page 1898 Ladies' Home Journal article by Cornelia Stevens presenting six seaweed-themed embroidery designs for table linens: round, square and oval centrepieces, plate doilies and a finger-bowl doily. The text gives color schemes (white, gray green, copper, wood brown), suggested stitches such as long and short stitch, stem stitch and buttonhole edging, and the sizes of each piece. It also gives ordering information for perforated patterns from the magazine's Art Bureau.

A one-page 1898 Ladies' Home Journal feature giving written instructions for several small fancy-work projects. It includes tatting patterns (a fleur-de-lis edge, a lingerie insertion, a pincushion cover of rosettes, a clover-leaf band and edge), knitted items (a two-color bed shoe, cycle and golf stocking tops), and a honeycomb patchwork block. Patterns are given in abbreviated tatting and knitting notation and illustrated with photographs.

A one-page illustrated article from the Ladies' Home Journal, January 1902, presenting ten designs for braid-based modern lace. Each photograph has a short caption naming the item and its materials, including a piano fall, collars, a bolero, scarves, a cuff, a hair ornament and a bertha. The braids used are Flemish, Arabian and point braids, worked with thread rings, gold thread and some embroidery, and the page gives no step-by-step instructions.

A single-page 1898 Ladies' Home Journal feature presenting three alphabets (A–Z) of embroidery initials for marking linen. The accompanying text explains where to place initials on handkerchiefs, napkins, sheets, pillow-cases, towels and tablecloths, and recommends white linen floss or silk filoselle with closely set stitches. It also covers using an embroidery hoop, pressing finished work, and other uses such as hatband ribbons and bags.

A 1898 fashion article by Madame Pauline from the Ladies' Home Journal describing winter gowns and wraps from her own designs. Each entry covers the cut, trimming and fabric yardage for a gown or wrap, including a brown novelty gown, a blue poplin house gown, a velvet evening wrap, an ivory satin wedding gown, a black lace evening gown, a silver-gray broadcloth calling gown and a brocade wrap. Fashion illustrations accompany the descriptions.