A 1899 article from Brush and Pencil reviewing the sixth annual exhibition of the Artists' Club of Denver. It describes paintings, water-colors, lithographs, designs, and sculpture by Denver artists and visiting exhibitors, including J. Henry Sharp, Blanche Dougan Cole, Frank P. Sauerwen, Henry Read, and Charles Partridge Adams. Illustrated with reproductions of 'The Arrow', 'Afternoon Sky', and 'Summer Days'.

A 1900 essay from Brush and Pencil arguing that public demand for art in the United States is growing. The author cites the Columbian Exposition, art in public schools, women's club art study, and rising interest in craftsmen's work. A short passage mentions rugs and portières made by rural women in Maine, New Hampshire and Georgia under the patronage of Candace Wheeler. The scan opens with the end of an article on E. E. Simmons and includes a halftone of his mural 'The Justice of the Law' and a portrait of the author.

An article from Brush and Pencil (November 1899) profiling the American painter and illustrator Hermann Dudley Murphy. It covers his youth in Massachusetts, study in Boston and at Julian's in Paris, work as an illustrator on the Nicaragua Canal expedition, his views on prizes and foreign study, and his low-key, decorative portraits and landscapes. Illustrated with halftone reproductions of his portraits, landscapes and a profile head study.

A 1901 article from Brush and Pencil by David C. Preyer, the second part of a series on the New York art world. It describes visits to the studios of painters such as Robert C. Minor, J. Allen St. John, A. H. Maurer, F. Luis Mora, Albert L. Groll and G. Glenn Newell, and comments on the Society of American Artists, Water Color Society and Salmagundi Club exhibitions. It is illustrated with halftone reproductions of paintings. It has no textile or weaving content.

A 1898 review from Brush and Pencil of the Third Annual Exhibition of the Society of Western Artists, a group of painters and sculptors from Midwestern cities including St. Louis, Cincinnati, Indianapolis, Detroit, Cleveland and Chicago. It discusses the society's aims and the works of individual exhibitors, covering landscapes, Indian subjects, portraits and sculpture. It is illustrated with halftone reproductions of paintings and a bust.

An August 1899 article from Brush and Pencil describing the paintings in Charles B. Walker's private art collection in Minneapolis, with works by European and American artists such as Turner, Corot, Cazin, Inness and Bol. It is illustrated with halftone reproductions of several paintings. The scan also includes a short review of Edward Carpenter's essay collection "Angels' Wings." It has no textile or weaving content.